There's not much more I can add to what has already been said about such a piece, but that's not the point anyway. You mentioned before that you spent quite a large amount of time on this more than usual, but as far as I'm concerned, you still are able to crank out pieces faster than anyone else I know and still achieve such a fantastic result. You're an example of "first thought, best thought," spoken by Allen Ginsberg. And this piece perhaps shows that your mind, and everyone else, is where the battle of freedom originates. Mental slavery is the most difficult to overcome, and so often music is what gives us that glimpse of hope. But it is an ongoing battle with every piece as it only lasts until it stops. The vocal work here fits perfectly and beautifully. When the snare comes in at 1:50, there's a feeling of great anticipation. I expected a grand explosion, but when 2:31 is revealed instead, I realize that there really isn't any other way to do it. When the percussive bass begins to slide at 3:41, we hear something ominous in the horizon. A reminder of what is to come with every piece of music...